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Showing 41 results for Antonio Campo
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Cremona Fedelissima
Antonio Campo
1585
Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal)
1730s
Campo Santa Maria Zobenigo, Venice
Canaletto (Giovanni Antonio Canal)
1730s
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right
Canaletto (Giovanni Antonio Canal)
1730s
Abduction of a Sabine Woman
Giambologna
model ca. 1579; cast possibly late 16th century
View of the crane with which Pope Clement XI, in 1705, raised the column and base of the Apotheosis of the Emperor Antoninus Pius from the ruins of the Campus Martius, plate 31 from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)
Arnold van Westerhout
1762
Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio
Antonio Tempesta
1645
Cover for 'La Aurora del Nuevo Dia en los Campos de Belen', villagers holding shepherd's hooks and walking in the countryside
José Guadalupe Posada
ca. 1891
Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.
Antonio Tempesta
1645
Imaginary View of San Giacomo di Rialto, which faces the Campo di Rialto, three classical columns and a statue on a pedestal at left, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
1735–46
Plate 11: Illustration to Canto XI, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Madonna and Child with Saints
Girolamo dai Libri
ca. 1520
Plate 11: the story of the Pisan saints, here the miracles associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
ca. 1808–12
Plate 10: the story of the Pisan saints, here the death of Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
ca. 1808–12
Plate 9: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
ca. 1808–12
Plate 6: Illustration to Canto VI, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Plate 5: Illustration to Canto V, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Plate 3: Illustration to Canto III, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Plate 11: Illustration to Canto XI, from Torquato Tasso's 'Gerusalemme liberata III'
Antonio Tempesta
ca. 1590–1630
Plate 20: Illustration to Canto XX, from Torquato Tasso's 'Gerusalemme liberata III'
Antonio Tempesta
ca. 1590–1630
Plate 6: Illustration to Canto VI, from Torquato Tasso's 'Gerusalemme liberata III'
Antonio Tempesta
ca. 1590–1630
Plate 13: Illustration to Canto XIII, from Torquato Tasso's 'Gerusalemme liberata III'
Antonio Tempesta
ca. 1590–1630
Plate 9: Illustration to Canto IX, from Torquato Tasso's 'Gerusalemme liberata III'
Antonio Tempesta
ca. 1590–1630
Plate 1: Illustration to Canto I, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Santa Maria della Salute
Francesco Guardi
mid- to late 1760s
A Female Allegorical Figure
Giovanni Battista Tiepolo
1740–50
Plate 12: the story of the Pisan saints, here the anchorites of Thebaid [Egypt], after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
ca. 1808–12
A Female Allegorical Figure
Giovanni Battista Tiepolo
ca. 1740–50
Plate 22: Abraham and others adoring false gods after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
ca. 1808–12
Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair)
Vincenzo Grandi
mid-16th century
Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair)
Vincenzo Grandi
mid-16th century
Pair of five-light candelabra
Luigi Valadier
1774
The Grand Canal above the Rialto
Francesco Guardi
late 1760s
Right breastplate from a brigandine
Italian
ca. 1450
Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
1582
Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Helmet (Sallet)
Spanish, possibly Granada
late 15th–early 16th century
View of the Tiber Island represented as a ship, the Temple of Aesculapius at left
Giovanni Ambrogio Brambilla
1582
Seated Female Figure
Maya
6th–9th century
Seated Female Figure
Maya
6th–9th century